Our architecture project Villa Carlo in Mosman is named in reverence to iconic Italian architect Carlo Scarpa. In my recent travels through Italy, I had the wonderful experience of visiting the particular influence for this project – his modernist masterpiece Tomba Brion (1970-78).
Tomba Brion is at once monumental yet meditative. The architecture seems to dissolve at its edges through faceted detailing while void spaces become a threshold between the natural and built environment. A masterpiece in holistic design, its architectural language is carried through to the smallest of details.
For Villa Carlo, I drew upon Scarpa’s stepped and sculpted engravings, voids and emphasis on elemental form. This can especially be seen in the entranceway – a charred timber front door is set in faceted off-form concrete with a custom brass pull inspired by the geometric carvings in Tomba Brion.
Scarpa aimed to “make a certain kind of architecture that could emanate a sense of formal poetry.” His philosophy has greatly influenced me, whether through my architecture, interiors or furniture design.
Tomba Brion Photography: Kelly Geddes
Villa Carlo Photography: Pablo Veiga